Kathrine G. McGovern College of the Arts

Makeshift Memorials, Small Revolutions

Wednesday, November 6, 2024

10:00 am -

This Fall, KADIST San Francisco and the Blaffer Art Museum at the University of Houston are co-organizing Makeshift Memorials, Small Revolutions, an exhibition in two parts with programming examining the shifts in dilated time, ritual, memory-keeping, and community-building in artistic practices in the years 2020-2024. Makeshift Memorials, Small Revolutions traces the cyclical nature of improvised, responsive yet sustained systems of mutual aid, information sharing, and embodied knowledge and their intersectional, intimate, and enduring effects, as magnified by the COVID-19 global pandemic.

The exhibition considers artists as prognosticators and traces their evolving practices and approaches, informed by activism and the creation of mutual aid networks spurred from lived experiences such as the still ongoing HIV/AIDS epidemic and Black and Brown grief. The artists assume the role of narrators for memetic memory, muffled silences, and informal archiving against power structures sanctioning conditions of personal isolation, cultural amnesia, and planetary extinction.

Amplifying the concurrent exhibitions presented in Houston and San Francisco, public programs are activations and timely engagements of the current moment, during the final months of the 2024 U.S. presidential election cycle. Makeshift Memorials, Small Revolutions is a diary of experiences, encompassing not only what happened but also the possibility of what never happened in the ongoing process of remembering and recollection, as a form of ‘protest against forgetting. The years 2020-2024 began with the onset of the COVID-19 global pandemic, which continues to expose systemic inequities disproportionately affecting historically marginalized communities. In the 2022 book What World Is This?: A Pandemic Phenomenology, Judith Butler advocates for intertwinement as a ‘“collective effort to find or forge the best form of ‘interdependency’ as one that most clearly embodies the ideals of radical equality.”’ The concurrent exhibitions in Houston and San Francisco and their related public programs are guided by entangled ethics in order to untangle forms of sustained solidarities inching toward liberation.